Sorry I haven't posted much lately, much going on personally, but wanted to share this photo of a young woman from late 1890's Nashville, TN. The quality of the photograph is not great, in fact it is a little blurry. I like it for a several reasons; some of my ancestors came from that area, she is sporting a great hat and if you look closely you can see she is wearing eyeglasses. I'm not sure what you call that thing around her neck, maybe a boa or just the collar of her coat, but it is wonderful as well. I tried really hard to make out the photographer's name which is embossed right above the location at the lower right hand corner with no luck.
Sunday, July 14, 2013
Friday, June 28, 2013
This beautiful young woman posed for E. Gillis about 1888 - 1891 in Lawton, Mich. She is dressed in a white dress, most likely off-white or cream and I believe the dress may have a bustle so the 1880's date would work. Her dress is high necked with tight fitted bodice and has matching ribbons down the front of the skirt. The sleeves are of great interest to me as I don't believe I have ever seen anything quite like them - notice the odd loops near her wrist which appear to be holding flowers and then the sleeves extend down to the hands into mitts. She is holding what appears to be a white puffy fan or perhaps a purse?
This cabinet card has a thick gilt border with a beautiful scallop design on the edges. I was unable to find any information on the photographer, E. Gillis.
Saturday, June 8, 2013
My posts have been rather sporadic lately mainly due to the health of my husband who has needed all my extra attention because of severe back pain. He has been unable to work for over six weeks and has been advised he needs back surgery. Unfortunately for him, nursing is not one of my better qualities, but I have tried to do my best to attend to him. To top it off this past week my company instituted corporate cuts and I find myself unemployed and could use a little TLC. When I saw the prompt for this week's Sepia Saturday the nurse in the photograph reminded me of a photograph that I have that fits the bill so I drug it out of my collection today for your review.
This photo shows what I believe to be six World War I era nurses. They are identified on the back as: (1) Mrs. Hugh Gilbert, (2) Mrs. I. Haines Dickinson, (3) Mrs. Geo. W. Heusel Jr. (4) unknown, (5) Miss Helen Heusel and (6) Mrs. A. S. Harkness. The last woman I believe is possibly related to a woman I mentioned in an earlier post, Mary Fairlamb Harkness of Pennsylvania. The location is unknown, but my guess that these nurses served stateside.
Click here to visit Sepia Saturday for more great photos!
Friday, May 24, 2013
This lovely New York City woman was photographed by famed photographer Bogardus about 1863 - 64. She is wearing what appears to be a light, cotton print dress with short sleeves so my guess would be that this photograph (CDV) was most likely taken in warmer months. She is also wearing a dark colored, light and lacy shawl-type covering. Something about this photo strongly suggests to me that she is pregnant.
Bogardus was Abraham Bogardus (1822 - 1908) was an American Daguerreotypist and photographer who is reported to have made some 200,000 daguerreotypes during his career. He was born in Dutchess County, NY and went to New York City in 1837. In 1846 he learned the art of Daguerreotypy from G.W. Prosch and after only two weeks instruction opened his own studio at 363 Broadway becoming very successful at his craft. He was so successful he opened several locations. With the popularity of the Carte-de-Visite he was said to have produced up to 100 dozens of CDV's per day.
In 1869 Bogardus was elected the first president of the national Photographic Association, a postiion he held for seven years. His contemporaries were Jeremiah Gurney, Matthew Brady, Lawrence, Insley, Hass, Harrison and Hill, the brothers Meade, Lewis, and Bogert. After a long and successful career he retired in 1884.
I previously posted another of his photographs and you can see it here:
Wednesday, May 22, 2013
This cabinet card, although a bit faded, is still a great photograph of a lovely bride and her groom from circa 1889 Austin, TX. The bride is wearing a lovely white gown with fitted bodice, high neck and the shoulders have the slight puff seen in the late 1880's. Her headdress is also quite lovely with the small white buds, I'm not sure what they are called, but I have seen them on other photographs in this time frame. They are also on the groom's matching boutonniere. He is seated with his hand in jacket - I have never understood the significance of this pose - and the bride has her hand resting on his shoulder.
The back of the photograph has a very interesting photographer's mark, note the dragon breathing fire in the upper left hand corner. The photographer was Harvey Roberts Marks (1821 - 1902) well-known Daguerrean and photographer, born in New York City and according to "Pioneer Photographers From The Mississippi To The Continental Divide" he had an illustrious career criss-crossing the country from San Francisco (1851) Baltimore, MD (1851 - 1853) to Mobile, AL (1855 - 1859) to Houston (1865-1867) to Austin(1870 - 1902).
In February 1851 in San Francisco he daguerreotyped the castaways of the Japanese ship Eriki-Maru while they were aboard the US revenue bark, Polk. This was substantiated two years later by the "Illustrated News" who published three wood engravings of these sailors with the comment that the illustrations were after daguerreotypes by H. R. Marks of Baltimore. See here for a photo of one of the castaways.
Marks won a number of awards during his career including January of 1853 from the Maryland Institute the "highest premium for the eminent superiority of his Pictures" and seventeen prizes at the 1880 Capitol State Fair in Austin. He also was the vice president of the national Photographic Association in 1874 and 1881 and was a life member. He also served as a captain in the Houston Battalion of militia infantry during the Civil War. There are cartes de visites still existing with his Houston imprint of uniformed Confederate officers.
He is said to have the longest career of any Austin photographer in the nineteenth century. He was pre-deceased by his wife Emily and three children and left his estate to his long time assistant George H. Berner.
Source: Pioneer Photographers From the Mississippi to the Continental Divide, 1839 - 1865 by Peter E. Palmquist, Thomas R. Kailbourn. Stanford University Press, Stanford California, 2005. Google eBooks.