Wedding Wednesday - 1890's Milwaukee, WI Couple (Victorian Era)

This attractive young couple are identified on the back as Max and Lizzie.  They posed for photographer Wollensak of Milwaukee in the 1890's for their wedding photo.  The bride is quite lovely and trim in her white dress. and her dress has just the right amount of frills, but is still elegant.

Wollensak was William Wollensak who had studios at 450 and 500 National Avenue.  He was born in Germany 17 Jun 1851 and died in Milwaukee 3 Jan 1922.  He is buried at Forest Home Cemetery in Milwaukee (FindAGrave).

Wedding Wednesday - Turn of the Century (Edwardian) Double Wedding in Westfield, WI

Looking at this photo of these two young Westfield, WI women you may think you are seeing double.  They appear to be sisters, possibly twins and are wearing identical dresses, veils and even hairstyles for their double wedding.  They are also wearing white gloves with their gowns and I believe I can see their rings through the gloves.  I find it interesting that only the bride on the right is wearing a locket around her neck.  I wonder if she is possibly the older of the two and this was an heirloom that was passed down to her?  Their grooms even look like and could possibly be related and are wearing identical suits as well.  Due to the style of dress and the type of cabinet card I believe this to have been taken between 1900 - 1910.  There is no identification on the back of the card.  I wish I knew who they were and what their story was.

The photographer was Fenner & Son of Westfield, Wis.  This was John Fenner and his son Jacob who were active in the area between 1895 - 1925.  John Fenner was born in Germany in 1834 to Jacob Fenner and Anna Martha Grebruse and he died on 3 Jul 1923. 

Sentimental Sunday - Women with Hats - Stylish 1909 (Edwardian) Woman - Bernice Clark

This young woman, identified as Bernice Clark on the back, sat for this photo on May 1, 1909.   She is wearing a stylish suit and hat and has a serene expression on her face.  The white flowers give the hat and the scene just a touch of needed whimsy.  She appears to be in her early twenties.  She signed the back of the card and addressed it to her Uncle Fay.  This is an unusual sized cabinet card (4" x 9") that unfortunately does not have a photographer's name or mark so makes it difficult to narrow down her identity further.

Wedding Wednesday - Beautiful 1900's (Edwardian) Minneapolis Bride and Groom

Another Edwardian Era photograph of a very lovely and serene bride who was married in Minneapolis, MN in the 1900's to her equally handsome groom. The maid of honor and best man aren't too shabby either!  Due to the location and the photographer I suspect the people involved were probably of Swedish descent.  The bride and maid of honor's style of dress seems to date this in the latter of the 1900's probably between 1905 - 1910.  You can see a small brooch or cameo at the throat of the bride on the high neckline of her dress.  If you look closely, you can also see her wedding ring on her left hand.  The people in the photograph are sadly not identified - such a shame.

The photographers were Petri & Svenson located at 129 Washington Avenue South.  They were the team of Samuel H. Petri and Ernest T. Svenson who were active Minneapolis photographers from 1894 - 1915.

Wedding Wednesday - 1890's (Edwardian) Chicago Newlyweds

This attractive young Chicago couple posed for their photograph most likely in the early 1890's.  The bride's veil is similar to other's I have posted about here before.  Her finger-less gloves are the first I have seen though.  I can see a wedding ring on the groom's left hand, but am unable to see one on the bride's hand.  The bride is lovely with a tiny waist, wearing a light colored dress unlike the more serviceable dresses seen before in this time frame.  I'm not sure that it is white, perhaps gray?

The back of this dark grey cabinet card is very interesting.  It is actually much darker than seen here and to me it seems to have a Gothic feel. I have lightened it up so it is easier to see.  The front, of course, notes that the photographer is Rudolph's Studio at 957 Milwaukee Ave. in Chicago.  Not much was found for Louis Rudolph but he shows up once in the 1904 Chicago City Directory and again in the 1930 Chicago Census as a Proprietor of a Picture Show.  He was born circa 1878 in Denmark.

Unfortunately, as so often occurs, there is no identification for the couple.  It's truly a shame as I'm sure there are probably descendants who would love to have this photo.

Sentimental Sunday - Women with Hats - Feathery Hat on Columbus, O. Woman 1880's (Victorian)

This very stylish young woman had her photograph taken by photographer Pfeifer in Columbus, O. in the late 1880's.  I am putting the date around 1888.  She is wearing a fashionable bustled dress with beautiful pearl-like trim.  One tiny drop earring is showing and a hoop bracelet appears on her right wrist.  She is also wearing a large corsage with white flowers to offset the darker color of the dress.  I wish I knew what color is was; possibly gray or brown?  Her hat is stunning of course with the large feathery plumes and I see a dark satin bow on the right side.

1888 Columbus, Ohio Woman

It's hard to tell from this scan, but this cabinet card has gold-gilt beveled edges which was one of my clues in dating the photograph.  The photographer was John A. Pfeifer of Columbus who had a photography business in Columbus for many years. I found him listed in the city directory up until 1887 at the address on the card.  In the 1889 directory he had moved his business to a different address. He was born about 1858 in Ohio to German immigrant parents. I also found him listed in the 1920 census living in a boarding house, a widower and still working as a photographer.

Sentimental Sunday - Women with Hats - Stylish Nebraska Woman

I have very little information about this week’s Woman with Hats subject.  This unidentified woman from Lynch, Nebraska was most likely photographed in the late 1890’s or very possibly early 1900’s.  Her hat is quite a treat to behold and note the pin at the base of the front just above her hairline.  Her high-necked dress has a lacy insert and the sleeves are just a bit poufy which leads me to believe this is late 1890’s.

This photograph was quite intriguing as the photographer was a woman which was not the norm.  I am quite frustrated as I cannot make out her name.  I have tried numerous Internet and Ancestry.com searches in hopes of finding her but to no avail. It appears to be Mabel C. Co____ or Mabel G. Go____.  I’m hoping someone can provide me with some insight to her identity. Regardless of her identity the subject creates quite a lovely picture.

Fashionable Friday - Lovely Young 1880's (Victorian Era) Michigan Woman in White

This beautiful young woman posed for E. Gillis about 1888 - 1891 in Lawton, Mich.  She is dressed in a white dress, most likely off-white or cream and I believe the dress may have a bustle so the 1880's date would work.  Her dress is high necked with tight fitted bodice and has matching ribbons down the front of the skirt.  The sleeves are of great interest to me as I don't believe I have ever seen anything quite like them - notice the odd loops near her wrist which appear to be holding flowers and then the sleeves extend down to the hands into mitts.  She is holding what appears to be a white puffy fan or perhaps a purse?

This cabinet card has a thick gilt border  with a beautiful scallop design on the edges.  I was unable to find any information on the photographer, E. Gillis.

Wedding Wednesday - Late 1880's (Victorian Era) Austin, Texas Newlyweds

This cabinet card, although a bit faded, is still a great photograph of a lovely bride and her groom from circa 1889 Austin, TX.  The bride is wearing a lovely white gown with fitted bodice, high neck and the shoulders have the slight puff seen in the late 1880's.  Her headdress is also quite lovely with the small white buds, I'm not sure what they are called, but I have seen them on other photographs in this time frame.  They are also on the groom's matching boutonniere. He is seated with his hand in jacket - I have never understood the significance of this pose - and the bride has her hand resting on his shoulder.

The back of the photograph has a very interesting photographer's mark, note the dragon breathing fire in the upper left hand corner.  The photographer was Harvey Roberts Marks (1821 - 1902) well-known Daguerrean and photographer, born in New York City and according to "Pioneer Photographers From The Mississippi To The Continental Divide" he had an illustrious career criss-crossing the country from San Francisco (1851) Baltimore, MD (1851 - 1853) to Mobile, AL (1855 - 1859) to Houston (1865-1867) to Austin(1870 - 1902).

In February 1851 in San Francisco he daguerreotyped the castaways of the Japanese ship Eriki-Maru while they were aboard the US revenue bark, Polk.  This was substantiated two years later by the "Illustrated News" who published three wood engravings of these sailors with the comment that the illustrations were after daguerreotypes by H. R. Marks of Baltimore.  See here for a photo of one of the castaways.

Marks won a number of awards during his career including January of 1853 from the Maryland Institute  the "highest premium for the eminent superiority of his Pictures" and seventeen prizes at the 1880 Capitol State Fair in Austin.  He also was the vice president of the national Photographic Association in 1874 and 1881 and was a life member.   He also served as a captain  in the Houston Battalion of militia infantry during the Civil War.  There are cartes de visites still existing  with his Houston imprint of uniformed Confederate officers.

He is said to have the longest career of any Austin photographer in the nineteenth century.  He was pre-deceased by his wife Emily and three children and left his estate to his long time assistant George H. Berner.

Source:  Pioneer Photographers From the Mississippi to the Continental Divide, 1839 - 1865 by Peter E. Palmquist, Thomas R. Kailbourn.  Stanford University Press, Stanford California, 2005.  Google eBooks.

Sepia Saturday #177 - Children on Fences, Columns, Rocks & Other Photographer's Props

I have a lot of wonderful old children's photographs and for some reason rarely post child photos so when I saw the theme prompt for this week's Sepia Saturday I decided to share some of my favorites.  Here are just a few:

This first photo (CDV) is a very young, unidentified Trenton, NJ girl taken between 1864 and 1866 as evidenced by the revenue stamp on the back.  Such a little sweetheart and look at her darling dress.  The photographer was Aller & Brown of Trenton.  This little miss is posing on the photographer's fake balustrade railing.

This next photo (cabinet card) features five young Michigan siblings and their dog posed next to a faux fence and pile of hay.  The photographer was Dave Bradbeer of Charlevoix, Michigan.  This photograph was most likely taken in the late 1880's.

 

Next up is a cabinet card featuring an 1890's boy wearing Little Lord Fauntleroy attire holding the obligatory whip.  This was a very popular costume for boys to wear for their photographs in the 1890's.  This particular young boy was posed by photographer Strunk of Reading, PA seated on a large "rock."

 

This young girl from Trenton, NJ is quite a picture in plaid posed next to a "stone column" and behind an "iron gate."  I've posted  this cabinet card before, but I think she deserves another mention - just love her entire outfit.  The photographer was J. E. North of 31 Centre St.  This photo is also from the 1880's.

 

This young lad leaning on the "stone column" is quite dapper in matching jacket and knickers with  hat and cane and take a look at those plaid leggings!  What a good looking young man.  No photographer is listed, but the boy is identified on the back as Howard Prue Price, I believe.  My guess is this cabinet card is from the late 1870's.

 

And finally we have this sweet young girl leaning on the photographer's "stone fence".  Such a sweetie in her simple dress and lace collar and notice the necklace with long chain around her neck.  The photographer was H. S. Stephens of Rushville, Indiana.  This photo was probably taken in the late 1880's.

If you have enjoyed these photos I hope you will hop, skip or jump over to Sepia Saturday to see even more wonderful photos.

Wedding Wednesday -Elegant 1910's St. Louis Couple

This elegant young couple was photographed in St. Louis. MO by photographer Schneidt most likely after 1910.  The bride was truly beautiful in her white, high necked wedding gown.  I love the small tiers on the skirt of her gown and the lacy layers at the bottom of the train.  Her headdress is not overbearing, it has a light frothy feel on top of her Gibson Girl hairstyle.  She is holding a small bouquet of flowers and has a gloved hand on her new husband's arm.  The groom is dressed in a simple black suit with a high collared shirt and matching bow tie.  He is holding a pair of white gloves in his left hand and you can see his wedding band.

The photographer was George Gustav Schneidt, born 14 Nov 1887 in Missouri.  I found Schneidt in the 1908 St. Louis City Directory living at 3301 S. Jefferson Avenue and working as a clerk.   Note the address on the photo says "3300 S. Jefferson Avenue."  In the 1910 census he was living in a boarding house and listed his occupation as "salesman."  He was found once again in the City Directories of 1914, 1916 and 1917 working as a photographer at  3114A S. Grand Ave. He was living was again at the S. Jefferson Ave. address in the 1920 census with his mother Barbara, a widow, and sister Norma.  Evidently this was probably the family home.  In the 1930 census at age 41 he was living there with his wife of eleven years, Frieda, no children and no mother or sister listed.  I found a death record for Schneidt in Missouri for Feb of 1965.

This photograph was likely taken either between 1910 and 1914 before his move to Grande Ave or between 1917 and 1920 when he returned to Jefferson Avenue.  I tend to lean towards the earlier time frame.  

Sentimental Sunday - Women with Hats - Two Ladies Strolling in Berlin ca 1890

These two lovely ladies, possible sisters, are wearing nearly identical hats, dress styles and are posing with matching umbrellas.  The photographer was Pflaum & Co. of Berlin, Germany.  These unidentified ladies probably posed for this photograph about 1890.  I did not have any luck finding any information on the photographer.

Wedding Wednesday - Newlywed 1890's St.Louis, MO Couple

This unidentified newlywed couple were photographed at the Ludwig Hammer studio located at 1534 South Broadway, St. Louis, Mo. sometime in the 1890's.  The photographer was Ludwig Friedrich Hammer, Jr. born 24 Feb 1834 in Beutelsbach, Germany.  He came to the US sometime before 1861, married Julia ? and settled in St. Louis where he practiced his craft.  There are numerous St. Louis City Directory listings for him between the 1870's and about 1909.

Unidentified 1890's St. Louis, Mo Couple

I believe this attractive young couple were photographed between 1889 and 1895.

Fashionable Friday - Turn of the Century New York City Woman with Purse

This lovely young woman with the Gibson Girl hair was posed by the photographer standing next to a chair holding a purse.  The hand on the chair held a couple of roses and on the seat of the chair are more roses and what appears to be some type of rolled up document.  She is wore a dark dress with a white lace collar, large buttons down the bodice, a tightly cinched waist and the loose sleeves billow down to tight cuffs at the wrist. She was indeed a vision of loveliness and femininity.  The photographer was Speiss (William) who had a studio at 54 Second Ave. Cor 3rd St. New York between 1895 and 1900 according to langdonroad.com. 

Wedding Wednesday - Yet Another 1890's Newlywed Photo by R. Alex Wells

One more newlywed couple by photographer R. Alex Wells of Higginsville, MO, this cabinet card features an attractive young couple both staring intently at the camera.  Neither are smiling, but I don't sense that they are unhappy.  The groom who is seated seems relaxed and the bride, standing no doubt to showcase her beautiful gown, exudes elegance.  I find her dress quite unique from the soft, high neckline to the large bow at the waist to the slight tiers at the bottom of the skirt.  The dress in its simplicity is simply breathtaking!  I believe this photograph to have been taken late 1890's possibly 1896 - 1898.

Wedding Wednesday - Another 1890's Couple from Higginsville, MO

This Wednesday I bring you another young newlywed couple photographed in Higginsville, MO in the 1890's by photographer R. Alex Wells who I mentioned in a previous post.  I estimate this handsome, but unidentified couple were wed about 1895.  Not much is known about Wells, he worked as a photographer in Higginsville, in his early twenties.  In the 1910 US Census he was living in Oklahoma City, OK with wife Bertha and son Tracy and listed his parents as being born in Missouri.  He was not found in the 1900 census.  He is also found  in Oklahoma City Directories between 1913 - 1920's with a photography business at  129 1/2 West Main.

Wedding Wednesday - 1890's Higginsville, MO Couple

This attractive young couple from Higginsville, Missouri posed for their wedding photograph for photographer R. Alex Wells in the 1890's.  The unidentified couple seem happy and relaxed, and are both wearing wedding rings.  I'm not sure why the photographer posed them the way he did, separated by a small table with a plant,  but it certainly showcased the bride's lovely figure and beautiful white wedding gown and headdress.  She is truly made a serene, lovely bride.

I had no luck finding any information on the photographer, R. Alex Wells, although there are a few of his photographs to be found on Google.

Fashionable Friday - 1890's Trio of Ladies from Bradford, Ohio

For this week's Fashionable Friday I am featuring this cabinet card of three women from Bradford, Ohio, who posed for photographer,  W. H. F. Heath, sometime in the 1890's.  I knew this right off the bat by looking the sleeves of their dresses, in fact, I would guess early 1890's.   I would go so far as to guess this is a mother and two grown daughters. What drew me to this photograph in the first place was the clashing of all the patterns in the picture.  Even though somewhat faded, you can see that the carpet has a busy pattern and the mother and one daughter to her right have on dresses with very busy patterns.  In today's world, a good photographer would warn you ahead of time against this very thing. These dresses and their busy patterns may have been quite the rage at the time, although I have my doubts, and leave me with the difficulty of knowing where to look first.  Also, note the one woman has on dark-colored gloves that match the bodice of her polka-dot dress; the older woman has on finger-mitts.

The photographer, W. H. F. Heath (William), was born in May of 1846 in Ohio to Austin and Eliza Heath, the oldest child in a large farming family. Never married, sometime between 1870 and 1880 he left the family farm in Shelby County, OH to pursue a career in photography.  In the 1900, Adams, Darke County, OH census he is found living with his younger brother John, also a photographer.  In the book Ohio Photographers 1839 - 1900 by Diane VanSkiver Gagel found on Google eBooks, he is listed working as a photographer 1881-82 and 1895-96. Heath evidently suffered no shortage of ego as the back of his cabinet card states, "From the Well Known Photo Gallery of W. H. F. Heath."  However, note that the word, "Gallery" is misspelled as "Glalery."  I'm assuming since he used them, he must have ordered and been stuck with a large order of these incorrect cards and used them anyway.  

Wedding Wednesday - One More by Photographer G. G. Oyloe, Ossian, IA

One more by G. G. Oyloe who I have mentioned in four previous wedding posts. This week's photograph is yet another style cabinet card for Oyloe - notice the back imprint on the card. It is rather unusual with a scalloped border, several birds, flowers, butterflies, and a spider web complete with spider!

The unidentified bride and groom on the front are both wearing dark clothing, the groom in this case is wearing a longer coat, but still has only the top button buttoned.  The bride's dress has an unusual detail with darker triangular patches along the bottom of the skirt.  Instead of a headdress she is wearing a white flower band on her head and has a long white scarf tied around her neck.  I've seen this style before and want to believe this was some kind of ethnic adornment.  I'm dating this late 1880's about 1889 +- one year.

Wedding Wednesday - 1890 Newly Married Iowa Couple

This week I bring you yet another young couple photographed by G. G. Oyloe of Ossian, IA.  In fact, this is the fourth cabinet card by this photographer I have posted.  This week's unidentified couple are posed in two different types of chairs, which frankly from my point of view, is a little odd.  Both are leaning their elbows on the bride's fringed, velvet posing chair.  The bride, all in white, appears to be leaning slightly forward and the groom is sitting back with legs crossed; both are expressionless.  Looking closely I see that the bride is wearing her wedding ring on the middle finger of her right hand.  The groom is wearing his on the pinkie finger of his right hand which I have seen on a prior groom from Ossian, perhaps this was the style or local tradition.

In dating this photograph at about 1890, I knew that the photographer had a studio in Ossian between 1880- 1910.  I narrowed it down further by using  the beveled edges of the card (1885 - 1895), the groom's suit with only the top button buttoned (1885 - 1890), the trailing flower vine on the bride's headdress (1890-1900) and finally the foil stamped imprint which was introduced around 1890.  I find it interesting that out of the four cabinet cards I have posted by Oyloe, which are all in a five year period, all were printed on different style cards.  I have yet another photo of his that I will share next week that is printed on yet another type of card.